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	<title>MMX Open Art Venue</title>
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	<link>http://www.mmxberlin.com</link>
	<description>MMX Open Art Venue</description>
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		<title>Scottish Screening Program</title>
		<link>http://www.mmxberlin.com/events/scottish-screening-program/</link>
		<comments>http://www.mmxberlin.com/events/scottish-screening-program/#comments</comments>
		<pubDate>Tue, 31 Aug 2010 14:16:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.mmxberlin.com/?p=825</guid>
		<description><![CDATA[Pamela Cohn shows 8 short films from Scotland, co-presented by the Scottish Documentary Institute: Peter in Radioland by Johanna Wagner, 9&#8217;55&#8243; Arcadia by David Graham Scott, 9&#8217;20&#8243; At Home with the Jedi by RF Simpson, 9&#8217;32&#8243; The Space You Leave by James Newton, 9&#8217;54&#8243; Calling Home by Maria Eduarda Andrade and Marcelo Starobinas, 12&#8217;11&#8243; The [...]]]></description>
			<content:encoded><![CDATA[<p><br/><br />
Pamela Cohn shows 8 short films from Scotland, co-presented by the Scottish Documentary Institute:<br />
<br/><br />
Peter in Radioland by Johanna Wagner, 9&#8217;55&#8243;<br />
Arcadia by David Graham Scott, 9&#8217;20&#8243;<br />
At Home with the Jedi by RF Simpson, 9&#8217;32&#8243;<br />
The Space You Leave by James Newton, 9&#8217;54&#8243;<br />
Calling Home by Maria Eduarda Andrade and Marcelo Starobinas, 12&#8217;11&#8243;<br />
The Inner Shape by Johanna Wagner, 8&#8217;29&#8243;<br />
The Housekeeper by Tali Yankelivich, 13&#8217;13&#8243;<br />
Melissa Immaculate by Julian Krubasik, 12&#8243;41&#8242;<br />
<br/><br />
<a href="http://www.mmxberlin.com/wp-content/uploads/2010/08/MelissaImmaculate.jpg" rel="lightbox[825]"><img src="http://www.mmxberlin.com/wp-content/uploads/2010/08/MelissaImmaculate.jpg" alt="" title="MelissaImmaculate" width="267" height="150" class="alignleft size-full wp-image-843" /></a><br />
<br/><br />
The SDI was created in 2004 and is an internationally recognized documentary research center at the Edinburgh College of Art specializing in documentary training, production and distribution.  You can read more about them <a href="http://www.scottishdocinstitute.com/">here</a>.</p>
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		</item>
		<item>
		<title>Finissage Show VI</title>
		<link>http://www.mmxberlin.com/events/finissage-show-vi/</link>
		<comments>http://www.mmxberlin.com/events/finissage-show-vi/#comments</comments>
		<pubDate>Tue, 24 Aug 2010 18:50:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.mmxberlin.com/?p=805</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[]]></content:encoded>
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		</item>
		<item>
		<title>Kool-Aid Man in Second Life</title>
		<link>http://www.mmxberlin.com/events/kool-aid-man-in-second-life-in-search-of-the-virtual-sublime/</link>
		<comments>http://www.mmxberlin.com/events/kool-aid-man-in-second-life-in-search-of-the-virtual-sublime/#comments</comments>
		<pubDate>Mon, 16 Aug 2010 12:57:33 +0000</pubDate>
		<dc:creator>jdgroeger</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Kool-Aid Man]]></category>
		<category><![CDATA[Rafman]]></category>
		<category><![CDATA[Second Life]]></category>

		<guid isPermaLink="false">http://www.mmxberlin.com/?p=726</guid>
		<description><![CDATA[In Search of the Virtual Sublime Join new-media artist Jon Rafman on an existential journey through the multi-user virtual environment of Second Life. Rafman’s Kool-Aid Man avatar will lead audiences across futuristic cyberpunk megalopolises, exotic furry sex clubs, and psychedelic jungles, while providing live critical commentary and discussing the implications of virtual worlds for modern society.]]></description>
			<content:encoded><![CDATA[<p><strong>In Search of the Virtual Sublime </strong><br />
<span style="font-family: arial,helvetica,sans-serif;">Join new-media artist Jon Rafman on an existential journey through the multi-user virtual environment of Second Life. Rafman’s </span><em><span style="font-family: arial,helvetica,sans-serif;">Kool-Aid Man </span></em><span style="font-family: arial,helvetica,sans-serif;">avatar  will lead audiences across futuristic cyberpunk megalopolises, exotic  furry sex clubs, and psychedelic jungles, while providing live critical  commentary and discussing the implications of virtual worlds for modern  society.</span><br />
<a href="http://www.mmxberlin.com/wp-content/uploads/2010/08/jon_rafman_koolaid_mmxSM.jpg" rel="lightbox[726]"><img src="http://www.mmxberlin.com/wp-content/uploads/2010/08/jon_rafman_koolaid_mmxSM.jpg" alt="" title="jon_rafman_koolaid_mmxSM" width="800" height="1017" class="aligncenter size-full wp-image-785" /></a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Out of Control Opening VII</title>
		<link>http://www.mmxberlin.com/events/out-of-control-opening-vii-final-performance-and-group-exhibition/</link>
		<comments>http://www.mmxberlin.com/events/out-of-control-opening-vii-final-performance-and-group-exhibition/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 18:08:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.mmxberlin.com/?p=710</guid>
		<description><![CDATA[Groupshow of all Out of Control Participants Performance by Elana Katz Out Of Control is a project that focuses on the process of artist curating artist. It intends to experiment the chain of trust and taste that artist have on other artist. The process is simple: one artist selects and curates the next one and [...]]]></description>
			<content:encoded><![CDATA[<p><br/><br />
<strong>Groupshow of all Out of Control Participants</strong><br />
<br/><br />
Performance by Elana Katz<br />
<br/><br />
 Out Of Control  is a project that focuses on the process of artist curating artist. It intends to experiment the chain of trust and taste that artist have on other artist. The process is simple: one artist selects and curates the next one and so on.<br />
<br/><br />
Out Of Control is a series of exhibitions during show number VI in the MMX Open Art Venue. All together these shows will conform a kind of group show although they will not take part at the same time. The idea is to start a process of curating in which each selected artist will have to select and curate the next artist. This process aims to conform a solid chain of selection-curation, which will conform the final group of artist that will be showing. We expect to reach a certain level of quality and professionalism during this process and this will depend entirely on each artist and his or her way of choosing and developing of the curation process.<br />
<br/><br />
The show will end with a short traditional group show with selected pieces from each artist.<br />
<br/><br />
The last artist will start the next exhibition whenever this happens.<br />
<br/><br />
06.10 &#8211; 10.10</p>
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		</item>
		<item>
		<title>Out of Control Opening VI</title>
		<link>http://www.mmxberlin.com/events/out-of-control-opening-vi-gab-heller-introduces-christel-fetzer/</link>
		<comments>http://www.mmxberlin.com/events/out-of-control-opening-vi-gab-heller-introduces-christel-fetzer/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 18:06:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.mmxberlin.com/?p=708</guid>
		<description><![CDATA[Out of Control Opening VI- Gab Heller introduces Christel Fetzer Performance by Dovrat Ana Meron I met Christel Fetzer a few years ago. From the beginning I was fascinated of her work but also about the contrary differences between her and my work: Her use of artificial, glossy and neon-coloured material (I always use black [...]]]></description>
			<content:encoded><![CDATA[<p><br/><br />
<strong>Out of Control Opening VI- Gab Heller introduces Christel Fetzer</strong><br />
<br/><br />
Performance by Dovrat Ana Meron<br />
<br/><br />
I met Christel Fetzer a few years ago. From the beginning I was fascinated of her work but also about the contrary differences between her and my work:<br />
<br/><br />
Her use of artificial, glossy and neon-coloured material (I always use black colour on very white paper). The irritating effects of it,… mirroring, reflections, distortions, reversals of the space, of the people around&#8230;<br />
<br/><br />
The concrete and geometrical shapes she uses (My drawings are always figurative in an expressive way).<br />
<br/><br />
The physical appearance of her work, the huge dimension in order to compete with landscapes and the architecture (I m never interested in architecture and I always work flat.)<br />
<br/></p>
<p>But one thing I think we have in common: The subtle humour behind the work. Look behind her objects and with a smile you can notice that their strong presence is only an effect of a simple facade. But it works.<br />
<br/><br />
29.09 &#8211; 03.10 </p>
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		</item>
		<item>
		<title>Out of Control Opening V</title>
		<link>http://www.mmxberlin.com/events/out-of-control-opening-v-stephanie-custance-introduces-gab-heller/</link>
		<comments>http://www.mmxberlin.com/events/out-of-control-opening-v-stephanie-custance-introduces-gab-heller/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 18:04:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.mmxberlin.com/?p=706</guid>
		<description><![CDATA[Stephanie Custance curates Gab Heller Performances by Márcio Carvalho &#038; Brina Stinehelfer I met Gab and her work for the first time, together, as one entity. Her character and her drawings turned animations are completely congruent: Simple, striking and confrontational. The women and thework both stand in front of you demanding attention with ease atclarity. [...]]]></description>
			<content:encoded><![CDATA[<p><br/><br />
<strong>Stephanie Custance curates Gab Heller</strong><br />
<br/><br />
Performances by Márcio Carvalho &#038; Brina Stinehelfer<br />
<br/><br />
I met Gab and her work for the first time, together, as one entity. Her character and her drawings turned animations are completely congruent: Simple, striking and confrontational.  The women and thework both stand in front of you demanding attention with ease atclarity.  There is no second-guessing in her lines.  Precise gestures are drawn with speed and intuition forming figures that speak of a timeless human condition.<br />
<br/><br />
The first time I met Gab the guests at her show were asked to pick a note out of a bag.  I opened mine. “Das Glück ist ungerecht.”  What can you say?<br />
<br/><br />
Perhaps this phrase about one truth in life has framed my viewing of her work.  It seems appropriate though.  Each of her figures is subjected randomly to some unseen and unconscious force.  Standing in front of her dancing crowds their reality begins to seep into my own reality.  They are ambiguous, strong yet oppressed, neither male nor female, and all the same and all in one.  It is a stunning experience.<br />
<br/><br />
22.09 &#8211; 26.09</p>
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		</item>
		<item>
		<title>Out of Control Opening IV</title>
		<link>http://www.mmxberlin.com/events/out-of-control-opening-iv-phillipe-marcus-introduces-stephanie-custance/</link>
		<comments>http://www.mmxberlin.com/events/out-of-control-opening-iv-phillipe-marcus-introduces-stephanie-custance/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 18:02:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.mmxberlin.com/?p=704</guid>
		<description><![CDATA[Philippe Marcus curates Stephanie Custance Performance by Julischka Stengele I don’t know Stephanie, by not knowing her I mean I never met her in real, I never had the opportunity to talk with her. Then why did I select someone that I barely know if it was not for her artwork pictures or website link? [...]]]></description>
			<content:encoded><![CDATA[<p><br/><br />
Philippe Marcus curates Stephanie Custance<br />
<br/><br />
Performance by Julischka Stengele<br />
<br/><br />
I don’t know Stephanie, by not knowing her I mean I never met her in real, I never had the opportunity to talk with her. Then why did I select someone that I barely know if it was not for her artwork pictures or website link? The answer find his roots in the fact that we, and by we, I mean, Juan Arata, SSMIDD and LAN Hung are friends and already worked together on different projects, and as the last one of the group I had the hard responsibility to open the exhibition to other artists, one that we might never have worked with.<br />
<br/><br />
Living far from Berlin I also had to deal with the distance and the schedule problems which introduced a fundamental point into my curating process: the time. The artist I would choose would have to be able to react really fast, and for that Stephanie showed a real interest in the project. It appeared to me that this interest was already a meaningful answer to the show’s nature and an excellent reason to select her.<br />
<br/><br />
But this selection process brought not only an artist, but a particular artist because if you take the time to give a closer look to the developement inside Stephanie’s artwork during the past three years you will see that between this period a meaningful improvement both on the practical and theoretical dimensions is noticeable. That is what profoundly excites me when I think of what she may bring to this show. What will be her next step?<br />
<br/><br />
When I look to stephanie’s artwork I can’t help but ask myself this question: “how can a human being define himself as a part of a crowd?” I do think that this has to do with the essence of her work. She intends to place the viewer inside of her reflections, both on a physical and theoretical level. When you get to enter a room in which is settled one of her installation I believe that you somehow become a part of it. It probably has to do with the strong presence of all these figures that surrounds you. All of them are tightly linked together, like they can’t exist as individuality but only as a group.<br />
<br/><br />
Knowing that her grandfather, her father and her brother all served in the army, you can analyse better her will to express herself. Her preoccupations traduce a form of atavism, a reminiscence of what has been and should not have been. In a sense she puts each one of us in front of his own responsibility.<br />
<br/><br />
15.09 &#8211; 19.09</p>
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		<item>
		<title>Out of Control Opening III</title>
		<link>http://www.mmxberlin.com/events/out-of-control-opening-iii-lan-hungh-introduces-phillipe-marcus/</link>
		<comments>http://www.mmxberlin.com/events/out-of-control-opening-iii-lan-hungh-introduces-phillipe-marcus/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 17:59:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.mmxberlin.com/?p=702</guid>
		<description><![CDATA[Lan HUNGH CURATES Philippe Marcus Performances by: Joakim Stampe &#038; Chuyia Chia The first time I met Philippe, was at a dinner party. After we ate, he began to play with all we had on the table, and made a collage of it. The natural instinct of an artist makes him create. He creates for [...]]]></description>
			<content:encoded><![CDATA[<p><br/><br />
Lan HUNGH CURATES Philippe Marcus<br />
<br/><br />
Performances by: Joakim Stampe &#038; Chuyia Chia<br />
<br/><br />
The first time I met Philippe, was at a dinner party. After we ate, he began to play with all we had on the table, and made a collage of it.<br />
<br/><br />
The natural instinct of an artist makes him create.<br />
<br/><br />
He creates for life, himself, and surroundings. There is no reason why he begins and why he stops.<br />
<br/><br />
I felt somehow the connection to the music from &#8220;Chin&#8221;, one of the oldest music instrument of the world, were being used to make music, event without audience. Somehow, like the nutrition for spirit, a simple &#8220;need&#8221;. The value of his works is the spiritual side of it. It contains non conceptual, non poetical, because it&#8217;s like water, without any flavor and taste, it is just it, and we need it.<br />
<br/><br />
08.09 &#8211; 12.09</p>
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		</item>
		<item>
		<title>Out of Control Opening II</title>
		<link>http://www.mmxberlin.com/events/out-of-control-opening-ii-ssmidd-introduces-lan-hungh/</link>
		<comments>http://www.mmxberlin.com/events/out-of-control-opening-ii-ssmidd-introduces-lan-hungh/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 17:56:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Events]]></category>

		<guid isPermaLink="false">http://www.mmxberlin.com/?p=699</guid>
		<description><![CDATA[Juan Arata is giving his Room over to Lan Hungh Performances by Liang Ya-hui &#038; Elizabeth Wurst Opening starts at 7pm SSMIDD CURATES Lan HUNGH When I was about to interview LAN within the given context of Juan&#8217;s exhibition concept 3 obstacles came into the way. First day when I step by with an acoustic [...]]]></description>
			<content:encoded><![CDATA[<p><br/><br />
 Juan Arata is giving his Room over to Lan Hungh<br />
Performances by Liang Ya-hui &#038; Elizabeth Wurst<br />
Opening starts at 7pm<br />
<br/><br />
SSMIDD CURATES Lan HUNGH<br />
<br/><br />
When I was about to interview LAN within the given context of Juan&#8217;s exhibition concept 3 obstacles came into the way. First day when I step by with an acoustic memo box our conversation drove away into philosophical and spiritual aspects of the very existence itself. The other day when I went to see LAN there was already a girl named Claudia at his house looking for transparent artwork for her exhibition project. After a while we were all virtually playing in a puppet house with inconsistent dimensions. Thereby I put the recorder and let them do the talk. Later when she left there was no question. Instead the artist and I were diving into an acoustic improvisation made out of a toy piano being deconstructed little by little, a metal plate with cord, different sets of clefs/keys (in triple sense), a paint-brush, vocal chords, furnishings including the cockle stove and the crunching of the floor in the backyard of the lazy afternoon. Not to forget: LAN pissing into the toilet next door became an integral component of the spontaneous recording. But obstacles mean also we can read them as signs. We already learned 3 things about the artist: 1st) LAN is a profound person. 2nd) LAN is a sought-after figure of the Berlin underground or side-ground or second-front-art-scene however you want to call it. 3rd) LAN is a multidimensional artist at the edge of turning every second of life and its passengers into something peculiar, especial, precious. LAN from Taiwan. LAN speaks at least 4 or 5 languages. LAN plays Xenakis. LAN is an actor, instrument maker, an illustrator – for example. LAN likes chicken.<br />
<br/><br />
I remember one installation in Liverpool, where he projected the very fine masterpiece of Stanley Kubrick onto a 1 inch micro-screen. You want to know how the new realD-3D projection technology works? Just ask LAN, he’ll be able to explain to you. Since he is so much into performance-art recently &#8220;because then people invite me to their shows&#8221; I asked him for the upcoming exhibition to place something made out of matter, so that the visitors could confront with his sophisticated handcraft-side. Even if he would leave the room with emptiness &#8220;spectators might still be able to sense some of the presence, the meaning, the essence&#8221; he replies. But I insisted and so now –OK– maybe he is going to create a slow motion discotheque with slomo-sound and slomo-disco-ball if he can solve the technical problems “because the MMX is such a disco-place”. Maybe LAN is going to present the exact opposite –high speed jungle in reverse– or something completely different I think to myself.<br />
<br/><br />
To use a paraphrase of Derrida in the end: The morning after party mandatory looks connatural to the early evening of the bygone day. The &#8220;dancing point&#8221; is only the unseizable border of their difference. That’s LAN maybe: &#8220;dancing point&#8221;, &#8220;difference&#8221;. OK, one more: LAN HunghTM – artist, art-adaptor, alchemist – unfathomable, unpredictable, unique.<br />
<br/><br />
ssmidd, July 2010<br />
<br/><br />
01.09 &#8211; 05.09</p>
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		<item>
		<title>Show VI</title>
		<link>http://www.mmxberlin.com/exhibitions/show-vi/</link>
		<comments>http://www.mmxberlin.com/exhibitions/show-vi/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 16:56:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Exhibitions]]></category>

		<guid isPermaLink="false">http://www.mmxberlin.com/?p=687</guid>
		<description><![CDATA[Show VI opens on August 27, 2010. A performative craze has landed at MMX bringing forth 30 artists and 14 performers in a 6-week span. Juan Arata brings his project “Out of Control”; every week one artist leaves after curating a replacement. Each new artist is welcomed into the gallery on Wednesday nights with a [...]]]></description>
			<content:encoded><![CDATA[<p>Show VI opens on August 27, 2010.  A performative craze has landed at MMX bringing forth 30 artists and 14 performers in a 6-week span. Juan Arata brings his project “Out of Control”; every week one artist leaves after curating a replacement. Each new artist is welcomed into the gallery on Wednesday nights with a mini-opening and special performances.Bernd Bleffert’s klangkunst performs throughout the East wing along with Sarah Rechberger’s sublime work with oscillating light. Ivonne Dippmann unveils outdoor wall works and<br />
Kati Gausmann draws the subtle traces of Kleidung. Laura Napier’s public interventions and David Sherry’s cheeky performances counteract the blasé of daily life.  <br/><br />
Screening program VI is an eclectic mix of performance work.<br/><br />
<strong>The Opening on August 27;</strong> performances by <a href="http://www.alteregorelativamentesensibili.com/">AlteregoRelativamenteSensibili,</a> <a href="http://www.nirmala07.net/">Nadia Salom,</a><br />
<a href="http://www.dave-sherry.com/">David Sherry</a> and<a href="http://lauranapier.com/"> Laura Napier. </a> <a href="http://www.tacosberlin.com/">Tacos Berlin</a> will be serving yummy Mexican food all night long.<br />
<br/><br />
<strong>Show VI:</strong><br />
<a href="http://www.lauranapier.com/">Laura Napier</a><br />
<a href="http://www.kati-gausmann.de/">Kati Gausmann</a><br />
<a href="http://www.bernd-bleffert.de/">Bernd Bleffert</a><br />
Sarah Rechberger<br />
<a href="http://www.tobiassternberg.com/">Tobias Sternberg</a><br />
<a href="http://www.elke-graalfs.de/">Elke Graalfs</a><br />
<a href="http://www.islamiyascarr.com/">Islamiya Scarr</a><br />
<a href="http://www.dave-sherry.com/">David Sherry</a><br />
<a href="http://www.montsey.eu/helloworld/">Ivonne Dippmann</a><br />
<br/><br />
<strong>Screening Program VI</strong><br />
<a href="http://www.ubermatic.org/">Michelle Teran</a><br />
<a href="http://jonrafman.com/">Jon Rafman</a><br />
<a href="http://www.carifreno.com/">Cari Freno</a><br />
<a href="http://users.design.ucla.edu/~jetonski/">Jacob Tonski</a><br />
<a href="http://andrewdefreitas.com/">Andrew de Freitas</a><br />
Hugh Walton<br />
<a href="http://www.benkinsley.com/">Ben Kinsley</a><br />
<a href="http://inezdevega.blogspot.com/">Inez de Vega</a><br />
<a href="http://ericfleischauer.com/">Eric Fleischauer</a><br />
<a href="http://www.zacharyfabri.com/">Zachary Fabri</a><br />
<a href="http://elizabethwurst.blogspot.com/">Elizabeth Wurst</a><br />
<br/><br />
<strong>Out of Control:</strong></p>
<p>27.08 &#8211; 29.08 <a href="http://www.juanarata.com.ar">Juan Arata</a> &amp; SSMIDD<br />
01.09 &#8211; 05.09 <a href="http://www.gedankenschmied.net">SSMIDD</a> &amp; Lan Hugh<br />
08.09 &#8211; 12.09 <a href=" http://lanhungh.blogspot.com/">Lan Hungh</a> &amp; Philippe Marcus<br />
15.09 &#8211; 19.09 P. Marcus &amp; Stephanie Custance<br />
22.09 &#8211; 26.09 <a href="http://scustance.blogspot.com/">Stephanie Custance</a> &amp; Gab Heller<br />
29.09 &#8211; 03.10 <a href="http://www.gabheller.de/template/index.html">Gab Heller</a> &amp; <a href="http://www.christelfetzer.de">Christel Fetzer</a><br />
06.10 &#8211; 10.10 Group Exhibition with all artists<br />
<br/><br />
<strong>Out of Control Performances and Openings Wednesdays starting at 19h</strong><br />
01.09 &#8211;     Liang Ya-hui  &#038; Elizabeth Wurst<br />
08.09 &#8211;     Joakim Stampe+Chuyia Chia<br />
15.09 &#8211;    <a href="http://www.julischka.eu/"> Julischka Stengele</a><br />
22.09 &#8211;     Márcio Carvalho +Brina Stinehelfer<br />
29.09 &#8211;     Dovrat Ana Meron<br />
06.10 &#8211;     Elana Katz<br />
<br/><br />
<strong>Opening:</strong> 27.08 18h<br />
<strong>Exhibition:</strong> 28.08 &#8211; 10.10<br />
<strong>Hours:</strong><br />
Wed 12-22<br />
Thu-Sun 12-19<br />
</br><br />

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Artist in a piece of luggage, on a shelf" rel="lightbox[set_10]" >
								<img title="David Sherry" alt="David Sherry" src="http://www.mmxberlin.com/wp-content/gallery/show-vi/thumbs/thumbs_IMG_0299_1000pix.jpg" width="100" height="75" />
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								<img title="Laura Napier" alt="Laura Napier" src="http://www.mmxberlin.com/wp-content/gallery/show-vi/thumbs/thumbs__AAC5891_1000pix.jpg" width="100" height="75" />
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								<img title="Kati Gausmann" alt="Kati Gausmann" src="http://www.mmxberlin.com/wp-content/gallery/show-vi/thumbs/thumbs__AAC5933_1000pix.jpg" width="100" height="75" />
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								<img title="Bernd Bleffert" alt="Bernd Bleffert" src="http://www.mmxberlin.com/wp-content/gallery/show-vi/thumbs/thumbs__AAC6009_1000pix.jpg" width="100" height="75" />
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								<img title="Bernd Bleffert" alt="Bernd Bleffert" src="http://www.mmxberlin.com/wp-content/gallery/show-vi/thumbs/thumbs__AAC5947_1000pix.jpg" width="100" height="75" />
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